Publisher’s Marketplace Fall/Winter 2026 BuzzBooks Debut Preview

Goodreads 47 Fall Debut Novels

LGBTQReads Most Anticiapted LGBTQ+ Adult Fiction July-December 2026

Historical Novels Society: Forthcoming Historical Novels for 2026

A case of missing noble women and a determined young warrior who sets out to bring them home in this new and exciting ancient historical set just before the founding of Rome, for fans of The Song of Achilles, Circe, and A Thousand Ships.

Safinia is fine to focus on her training as a warrior, providing for her sisters, and minding her own business. She feels no great need to meddle in anyone else's, until women in her town, including her former lover, quietly begin disappearing. All of the missing women have vanished from powerful households, but their formidable fathers are in utter denial, claiming their daughters are off on trips, sure to be back shortly, with perfectly reasonable explanations for their absences. 

Dissatisfied with the half-hearted attempts to hand wave away the alarming and mysterious cases of the vanishing women, Safinia takes matters into her own hands, embarking on a journey to a neighboring village in search of answers or, at the very least clues, that might unearth threads she can begin to pull at. Along the way, she meets Livy, a historian whose eerie foreknowledge seems like a gift from the Gods—but as war with Rome looms on the horizon, Safinia must face the reality that the only one she can trust to bring them home is herself. 

Alysandra Dutton has crafted an expertly researched and indepth look at the Sabine women, one of history's most overlooked yet crucial stories that has inspired countless works of art throughout the centuries. Expertly researched and impossible to put down, it’s a thrilling adventure through ancient times.

"A much-needed feminist perspective on one of the most sexist myths of the ancient world." —Library Journal

The Stolen Women is an exciting and original debut for those who loved Gladiator but hate the patriarchy. Dutton dives into the murky origins of Rome, and emerges triumphant with a riveting tale of one woman's stand against empire. Clean prose and dynamic characters bring life to antiquity and we see the Sabine women, for better or worse, as agents of their own destiny.” —Anna Rasche, bestselling author of The Stone Witch of Florence

PRAISE FOR THE STOLEN WOMEN

“Men may always be thinking about Rome, but I'm always thinking about the Sabine women – so imagine my giddy delight at reading this gorgeous queer take on a Sabine woman who decides to play detective, and investigate what's really going down in a very noirish Rome. I'm recommending this to every interesting person I know!” —Amber Sparks, author of Happy People Don’t Live Here


“In The Stolen Women, the story of the Sabine Women is rendered in fresh, intricately wrought layers through the eyes of its lioness-hearted heroine Safinia, who turns the imperial narrative of the founding of Rome very literally on its head. Dutton’s storytelling is breathtakingly inventive and expertly researched, her prose muscular and full of life. In her skillful hands the world of 8th century BCE Italy comes into vivid relief, rich with the scents of forest and cookfire and the textures of mountainous journeys and raw-edged young cities. Prepare to have your history of Rome and its famous historian Livy totally rewritten — by the courageous women whose stories were never truly told.” —Sylvia V. Linsteadt, author of Our Lady of the Dark Country and the Carnegie Medal-nominated The Wild Folk

“What a rip-roaring feminist adventure! The Stolen Women is the sort of historical fiction that feels like time travel, pulling readers not just into the past but into the joys and fears of another era. Brash and sexy, detailed yet action-packed, The Stolen Women is a reminder that the past is never really gone, some battles are never over, and that some stories never end.” —Claudia Cravens, author of Lucky Red

The Stolen Women is a smart, powerful novel that holds the weight of mythology and the swiftness of a page-turner. But more than that, it is a righteous, full-throated scream about the violence of patriarchy, the erasure of women from history books, and the blood that stains the soil beneath every empire.” —Rita Chang-Eppig, author of Deep as the Sky, Red as the Sea

“Dutton has woven a captivating and impactful retelling of the Sabine story, deploying creativity and imagination while intricately weaving in archaeological and historical evidence. On full display is a knowledge of Roman myth, legend and history, balanced with a desire to illuminate a new side to the infamous events that justified the beginnings of Rome. Dutton skillfully builds relatable and emotional connections with characters – even if trapped in the mists of time and legend – that bring new relevance to Roman history and archaeology in our contemporary world.” —Dr. Emlyn Dodd, Adelaide University

About the Author

Alysandra Dutton is a writer and amateur historian based in Minneapolis Minnesota. She researched The Stolen Women as a 2022 Sturgis Fellow in residence at The British School at Rome, where she visited ruins, museums, archives, and olive groves all over Italy. Her work has been generously supported by the Elizabeth George Foundation, the Walton Family Foundation, the Bread Loaf Writer’s Conference, and Literary Cleveland. She has published short fiction in The Sun and Electric Literature: Recommended Reading, among other outlets. Her writing deals with themes of fine arts, history, and the commodification of the feminine form.

She teaches at the Saint Paul Conservatory for the Performing Arts, The Loft Literary Center, Interlochen Arts Camp, and Literary Cleveland.

Alysandra has two cats, named Denis Villeneuve, and Luca Guadagnino.

Photo by Charlie Enriquez-Sarano